Stories, poems, experiments

  • A photo angled up at a blue sky framed by high square walls. Green leaves are visible at the top of the square while white wispy clouds are visible at the bottom. Photo credit: Kelly Nielsen

    At 7:26

    When you close the door       when you leave   at 7:26        I wonder    I wonder    where                  you go 

  • A landscape photo of large rocks and snow with a rocky hill visible in the distant left. A rocky stream flows toward the camera. Taken in Iceland. Photo credit: Kelly Nielsen

    For the Peach I Left in Antarctica

    Bless you, my peach, thank you for waiting.

    I know you miss those juicy sunbeams

    dripping through your velvet hair. 

  • A photo of a simple white church. Green grass is in the foreground. A foreboding gray sky is overhead. Photo credit: Kelly Nielsen

    When me and the other ex-mormons get to outer darkness

    we’ll be stunned for an eternity or two, going

    damn, I guess Joseph Smith was a prophet and we really did need to spend those Saturdays getting baptized for dead people and the garden of Eden was in Jackson County Missouri

  • A photo looking up at the branches of a deciduous tree. The trunk of the tree is in the far left of the frame. Photo credit: Kelly Nielsen

    It's been what? Two, three years?

    You tell me to bring a bathing suit cause you’ve got a pool now, and you do, only it’s the blow-up kind, big enough for two, which works cause it’s just you and me. We both hold our cocktails steady—which aren’t really cocktails cause they don’t sell lime and mint at the liquor store—and swing one leg over into the pool, then the next.

  • A photo of two loaves of sourdough bread on a cooling rack. The bread's crust is a deep golden brown. Photo credit: Kelly Nielsen

    Let me bake you a circus, my love

    I’ll pitch the shaggy dough right there on the field, stab my shovel in deep to scoop and turn, knead the great globby mess until it’s smooth. We’ll cover it with the circus tent—bright red and gold stripes—smell the yeast working its magic, watch it rise in the midday sun.

  • A landscape photo of a field full of tufted white wildflowers. Planks lead from the bottom center of the frame to the horizon. The sky is blue with white clouds. Photo credit: Kelly Nielsen

    Varelse

    MotherFather’s boots squish squelch. Squish squelch through the mud. Squish squelch through the bog. Squish squelch as we walk walk walk. Our boots are small, so waters squish over the boot-tops, squelch down in our socks. Wet socks are not good, but needs be. MotherFather say, “WeChild, the walk is long, but needs be.” They say, “WeChild, there’s little food, but needs be.” We all carry on. Needs be.

  • A photo of a large rusted ship that has come aground on a gravelly shore. The sky is a bleached out gray. Photo credit: Kelly Nielsen

    IMMIGRATION | EMIGRATION

    in faith

    my ancestors traveled

    from Scandinavia

    to America

  • An abstracted photo washed in red. Two people look in a corner with two mirrors, so their images are repeated. Photo credit: Kelly Nielsen

    12 again, oh yes, again, again

    New Year’s should be new, right? Like fresh and magical and better. And I know that’s bullshit, but for some reason, I still download a new app, something to tell me to drink water or exercise or floss or some shit. I want to believe I can change, can rise like a phoenix or a sun or something, but we’re just sitting on the couch.

  • In the left of the photo is a statue of a veiled woman, likely Mary. In the center and right of the photo are the steeple and clock of a red brick church. Birds fly across the frame in a blur with a dark sky behind. Photo credit: Kelly Nielsen

    Wholiness to the Lord, the House of the Lord

    The temple gleams white. It is a castle with flying buttresses, friezes, rows of columns jumping from Doric to Ionic and back. There is a modern, sloping roof, its clean line cutting through the ornamentation. Steeples shoot up to the sky, chasing each other heavenward, until finally, on top of the tallest one, the Angel balances. He is golden, a trumpet pressed to his lips. Above the entrance I read, “Wholiness to the Lord, the House of the Lord.”

  • A photo of marble that has the words "fret thee not" in capital sans-serif font. Photo credit: Kelly Nielsen

    Poor Pigeon, Poor Dove

    That day on the walking, bright sunny day walking, trees overheard, walking, I see jackdaws, yes? Bold blackcaws, yes?